What Does Baseball Symbolize In Fences

Fences Symbols

ThroughoutFences Baseball is a complicated symbol that represents fair play, injustice, and freedom all at the same time. Troyspent years in jail as a young man after he killed someone in self-defense and was sentenced to death. His time in prison provided him with the opportunity to learn how to play baseball. Troy performed admirably on the baseball field, and the regulations were unambiguous in this regard. Due to either the color barrier or the fact that he was too old when he was released from jail, Troy’s ambition of playing in Major League Baseball, which would have brought him money and renown, was never realized.

Troy frequently refers to baseball lingo when attempting to convey himself.

“I just might be able to steal a second,” he adds when discussing how his mistress makes him feel.

The baseball phrases represent the contrast between risk-taking and freedom and stability and safety.

  • Specifically, in this instance, Cory is in the batter’s box and Troy is the umpire Troy refers to each incident with Cory as a strike, and the final blow-up as a strikeout as the problems with Cory continue to simmer and eventually burst.
  • It is fair to say that Troy’s management of his connection with his kid is his most significant misstep in the play.
  • When Troy talks about his illustrious background, he always brings up baseball.
  • It was around this period that he was at his most lively and full of optimism.

Mr. Death

ThroughoutFences Ballplayers and fans alike see baseball as a complex emblem of fair play, injustice, and independence. During his adolescence, Troy served time in jail for killing someone in self-defense. His baseball skills improved while he was in prison. Troy performed admirably on the baseball field, and the regulations were unambiguous in this arena. Despite Troy’s enormous skill, his ambition of playing in Major League Baseball, which would have brought him riches and renown, was dashed—either because of the color barrier, or because he was too old when he was released from jail, or for a combination of the two.

  • The baseball lingo that Troy employs to express himself is frequent.
  • The way his lover makes him feel is described as “I just might be able to steal second,” he claims.
  • The baseball phrases stand for risk-taking and independence, as opposed to stability and security in everyday life and relationships.
  • In this particular instance, Cory is in the batter’s box, and Troy is the umpire Troy refers to each incident with Cory as a strike, and the final blow-up as a strikeout as the problems with Cory continue to simmer and eventually burst.
  • As far as the play is concerned, Troy’s management of his connection with his kid is possibly his most significant blunder.
  • A baseball game is often mentioned when Troy talks about his illustrious previous.

But baseball plays a role in Troy’s downfall as well, as it comes to represent the mistakes he makes throughout the storyline.


Rose is devoted to her family. She wants to keep everyone together, and she uses her role as a mediator to accomplish this goal. Her ultimate ambition is symbolized by the fence she wants Troy and Cory to erect around the yard. Troy and Cory are baffled as to why she wants the barrier, but Bonocan understands. He addresses them as follows: “People construct fences to keep intruders out. Rose is determined to hang on. She is madly in love with you.” The fact that Troy and Cory are unable to comprehend why they require the barrier just serves to increase the urgency of the situation.

The only time Troy and Cory have a nice chat is when they are working on the fence together.

Troy finally agrees to create a partnership with Cory, stating that if Cory can gather half of the funds for the television, Troy will equal the amount raised by Cory.

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Fences Symbolism, Imagery, Allegory

Rose cherishes her relationships with her parents and brothers and sisters For this reason, she strives to keep everyone together by acting as a mediator. To achieve her aim, she wants Troy and Cory to construct a fence around the property. She wants the fence, and Troy and Cory are baffled as to why she wants it. When they ask him what he is saying, he responds, “I don’t know.” “Those in charge of construction construct barriers to keep others out. Rose is fighting to keep her grip on the situation against the odds.

  1. Their home does not appear to be a loving one, and the two most important persons in her life are desperate to go.
  2. Cory suggests to Troy that he purchase a television while he is constructing the wall.
  3. A late addition to the family’s plans, though, is a fence that will not be robust enough to keep them together.
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What does baseball symbolize in “Fences”?

What does baseball represent in the film “Fences”?

August Wilson:

When August Wilson was a young man in the late twentieth century, he was an award-winning African-American writer.

Wilson has received two Pulitzer Prizes for Drama over his career, including one for the well-known 1985 play Fences, which he directed.

Answer and Explanation:

Baseball is used to represent Troy Maxson’s unfulfilled goals in the playFences. Baseball, in a larger sense, also represents the postponing of the “American Dream.” See the complete response below for more information.

Learn more about this topic:

A summary and analysis from Chapter 3 of Fences by August Wilson (Lesson 33). A trash man called Troy Maxson is the central character in August Wilson’s play “Fences,” which tells the story of the actual and symbolic “fences” he meets and constructs throughout his life. Examine this five-part series to gain a better understanding of the themes of imprisonment and rejection that run through it amidst what appears to be systematic pain.

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Baseball. Through the whole film, baseball serves as a complicated metaphor of fair play, injustice, and liberty. In his early twenties, Troy was sentenced to years in jail for killing someone in self-defense. When Troy confesses to Rose about his affair with Alberta at the conclusion of the play, he describes his activities with baseball terminology. Fence denotes love and caring to Rose, and her desire for an afence suggests that she believes in the power of love and nurturing. For Troy and Cory, on the other hand, building a fence is a hassle, and they work unwillingly to complete Rose’s project.

  1. In the same way, what does the devil represent in terms of fences?
  2. It signifies the hate and cowardice of racism, which Thedevilin his imaginationsymbolizes.
  3. Second, what is the metaphorical significance of fences?
  4. August Wilson’s play, ” Fences,” is about the existence of an African-American family who is persecuted by the police in the South.
  5. Raynellis the kid of Troy and Alberta, and she is finally raised by Rose when both Troy and Alberta pass away.

Fences: Motifs

The first scene of Act One, Scene One, has Troy Maxson proclaiming, “Death ain’t nothing more than a fastball on the outside corner.” Using this statement, the former Negro League slugger brings together his previous ballplayer experience and his philosophical beliefs. During an argument regarding the caliber of a Major League Black ballplayer in comparison to Troy when he was at his peak, Troy, Bono, and Rose all disagree. Troy was able to hit a home run off a fastball sent to the outer corner.

  1. The fact that Troy had overcome pneumonia ten years ago, as well as having endured an abusive father and perilous conditions in his adaptation to living in an urban environment while walking north to live in Pittsburgh, as well as being imprisoned, is not lost on him.
  2. Troy is fearless in this opening scene of the play, places a high value on his life, and believes he is in complete control.
  3. Troy expresses himself as follows: “There’s nothing wrong with bringing up the subject of death.
  4. Everyone is going to perish.
  5. We’re all going to die in hell.” He has not lately suffered a personal loss that has been so devastating that it has humbled and weakened his soul.
  6. Death is described as an army, a chilly touch on the shoulder, and a smirk on his face by the author.
  7. It appears to Troy that he must continually be on the lookout for Death’s troops.

Immediately following the wrestling contest, Troy observed Death don a white robe with a hood over his head and depart in search of his scythe.

And I’m certain he’s going to get me “However, he is adamant about not succumbing to Death easy.

When he thinks of Death as being composed of a marching army or as being in command of an army, he morphs into this KKK commander picture with camp followers.

Troy talks directly to Death in the final words of various situations, mocking Death to try to track him down and/or warning Cory that his conduct is prompting him to lash out.

Troy’s death and baseball analogies are intricately intertwined throughout the novel.

According to Troy, the damage was severe enough that the Major Leagues were segregated throughout his playing days.

When Troy’s son Cory was born, he promised himself that he would not allow his son to go through the same disappointment that he had experienced in baseball.

In this way, Troy views Cory’s pursuit of a dream that is equal to or greater than his father’s as mistakes deserving of warning and punishment, or “strikes,” which Troy believes will prevent Cory from suffering the same fate that Troy did.

Seeds and Growth

When Troy Maxson says, “Death isn’t nothing but an outside corner fastball,” it is in the first scene of Act one, scene one of The Crucible. Using this statement, the former Negro League slugger combines his previous ballplaying expertise with his philosophical beliefs about life. According to Troy, Bono, and Rose, the Major League Black ballplayer is of inferior quality when compared to Troy when he was at the peak of his career. Troy was able to drive in a run with a fastball from the outside corner.

  1. The fact that Troy had overcome pneumonia ten years ago, as well as having endured an abusive father and perilous conditions in his adaptation to living in an urban environment while walking north to live in Pittsburgh, as well as being imprisoned, is well known to him.
  2. Troy is fearless in this opening scene of the play, places a high value on his life, and believes he is in complete command of his circumstances.
  3. Troy expresses himself in the following manner: “There’s nothing wrong with bringing up the subject of death in casual conversation.
  4. All of us are doomed.
  5. Eventually, Bono will pass away.
  6. When Troy is suffering from pneumonia in July 1941, he compares Death to an army marching towards him in the same scenario.
  7. ‘I spoke to Death,’ Troy swears he did.
  8. He claims that he saw Death standing with a sickle in his hand, that he spoke to Death, and that he battled Death for three days and three nights in the process.
  9. In Troy’s own words: “When it comes to death, you don’t mess around.
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Troy’s approach to Death is consistent with the Bible’s instruction to “be ever alert.” Death takes on many many forms in Troy’s view of it, from a fastball to a sickle-wielding, devil-like figure, and eventually composting the demon into a Ku Klux Klan member dressed in ceremonial white hood garb.

  1. Troy’s baseball metaphors get increasingly entwined with his Death rhetoric as the performance unfolds.
  2. According to Troy, Cory makes three blunders and when he strikes out, Troy expulsions him from the residence.
  3. Troy’s idea that he was directly robbed out of a great existence that he deserved and earned would be shattered if he admitted that he was too old to play baseball when the Major Leagues integrated.
  4. Baseball, he believes, has been the happiest moment of his life, but it has also been the end of his goals and aspiration.

In this way, Troy views Cory’s pursuit of a desire that is equal to or greater than his father’s as faults deserving of warning and punishment, or “strikes,” which Troy believes will protect Cory from suffering the same fate as his father.


August Wilson claims that he draws inspiration for his plays and play characters from the vocabulary and attitude of blues tunes. Originally composed by Black people in the United States, the blues is a mournful song that tends to repeat a twelve-bar phrase of music and a three-line stanza in which the first line of the first line is repeated in the second line. In the melody and harmony of a blues song, there are frequently multiple blue, or minor, notes present. Fences is organized in a way that resembles a blues song.

  • A blues band with a line of melody is represented by characters who repeat phrases or pass them around.
  • Wilson’s characters act out scenarios in which they have altered attitudes about life.
  • We may examine the shift that takes place from one instance of the play to the next by duplicating the situation in which the events of the play are taking place.
  • Troy and Bono are celebrating after payday since Troy has won his discrimination lawsuit, but Bono is more anxious that Troy would ruin his life with his adulterous affair, as seen in Act One, Scene Four of the play.
  • He drowns his sorrows in alcohol and sings to soothe himself.

In a play, this is a common technique used by playwrights to control the feeling of time, but for Wilson in particular, the repeated actions and vocabulary of the play are consistent with what he refers to as a “blues aesthetic.” William Wilson’s plays are continuations of the history of the blues in African American culture, and by extension, the history of the blues in American society in general.

  • Troy sings two blues songs, the first of which is in Act Two, scene three, “Please Mr.
  • Hear it Ring!” Troy also sings in Act Two, scene four, “Hear it Ring!
  • While Wilson wrote the words for this song, he drew inspiration from themes and symbolism found in African-American traditional, spiritual, gospel, and blues music.
  • Troy’s songs are true to the blues heritage in every sense of the word.

The blues inFences brings generations together and helps to preserve a family’s origins and heritage even after the death of a loved one.

What is the role of baseball in Fences?

In addition, baseball, I believe, represents the American Dream in its purest form. Baseball is often seen as a symbol of the United States’ national character in popular culture (although it now has significant appeal in Cuba and Japan). It is not unlike the difficulties of black guys to break into the professional baseball league despite their brilliance that Troy is experiencing.

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Start your free 48-hour trial today to have access to this and hundreds of other answers. Enjoy eNotes without interruptions and cancel at any time. Get Free Access for the Next 48 Hours Are you already a member? Please log in here. In addition, baseball, I believe, represents the American Dream in its purest form. Baseball is often seen as a symbol of the United States’ national character in popular culture (although it now has significant appeal in Cuba and Japan). Even though Troy possesses exceptional talent, his inability to break into professional baseball parallels the inability of black men to obtain middle-class jobs during their migration to northern cities (early in the play’s exposition, August Wilson describes those men’s disappointment when they encountered the same racism that had limited their lives in the South).

  • Rose makes an attempt to reason with him, stating that he just arrived on the scene too soon, before Jackie Robinson had made his debut in the Major Leagues.
  • His concern is that no one has let him to “play,” or to demonstrate his abilities and motives; instead, they have just ostracized him because of his skin color.
  • While Troy’s objection to Cory’s football ambitions (another segregated sport) may be interpreted as a show of care, it could equally have been interpreted as jealously.
  • The eNotes Editorial Team has given their approval.
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  • In Troy’s mind, baseball represents everything he was denied the opportunity to achieve because of bigotry.
  • In his front yard, there is a baseball made of rags and a baseball bat resting against a tree, both of which are for sale.

He believes that the same kind of bigotry will hinder his son, Cory, from pursuing a collegiate football career in the future.

Despite Rose’s best efforts to convince Troy that circumstances have changed, Troy does not trust her.

That the bat is what brings them to blows is appropriate, as the bat and baseball in general represent Troy’s resentment at having been denied the opportunity to realize his ambition.

The eNotes Editorial Team has given their approval.

However, the play’s structural elements are significant to baseball, on the one hand.

To a certain extent, this correlates to how Troy’s life unfolds, which has a beginning, middle, and finish that are comparable to those of baseball games.

It is at this point that Troy attempts to put an end to Cory’s ambitions of becoming a football player.

Troy came to see that baseball was a source of purity in a world of impurity as a result of this experience.

Troy viewed baseball as a vehicle for redressing the wrongs of the world, and when the game turned on him, as evidenced by his being rejected by the newly integrated leagues because of his age, a bitterness grew in his own mind that was impossible to overcome.

Its departure aided him in the construction of “fences” between himself and the world that gives him so much suffering, as well as between himself and the people with whom he is unable to avoid causing suffering. The eNotes Editorial Team has given their approval.

Baseball as a Symbol of America in “Fences”: [Essay Example], 2115 words

This article was written by a student and submitted to us. A sample of the work performed by professional essay writers is not provided here. Baseball, along with the Fourth of July and apple pie, is seen as a national emblem of the United States. Since its inception more than 150 years ago, the game has served as a potent metaphor for the American dream, as well as the goals and democratic principles that go hand in hand with this concept. Baseball, on the other hand, was still in the early stages of integration in 1957, when August Wilson’s Fences is set, a process that had began ten years earlier.

  • Troy’s disillusionment has a negative impact on not just his own life, but also the lives of his family, particularly his 18-year-old son, Cory.
  • Troy’s actions are totally explained in baseball jargon, which he uses throughout.
  • Troy Maxson challenges the limitations of racism as well as the monotony of his own existence by employing these vivid baseball pictures and heavy words in his writing.
  • After being denied his desire to pursue a professional baseball career, Troy concentrates on the primary obstacle that stands in the way of his prior ambitions.
  • When Rose claims that Troy was just too old when the baseball color barrier was broken, he responds by asking, “What do you mean, too old?
  • It was only that I wasn’t the correct shade of green.
  • Troy’s acute understanding of the importance of race in determining one’s chances in life is the primary reason of his dissatisfaction.
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Continuing his favorable comparison of himself to Selkirk, he states that, “Man batting.269, understand?.269.

I was slapping people.


“Hank Aaron ain’t nobody,” says the narrator.

These assertions, on the other hand, appear to be a waste of time and unreasonable coming from the angry Troy.

Troy is portrayed by Wilson as headstrong and combative, in a style that is considerably less conciliatory than would have been required to deal with the difficulties of being a black player in the Major Leagues during the 1940s and 1950s.

It is also his son Cory’s baseball career that is hampered by his prejudices and hatred.

For the duration of the play, Troy and Cory are at odds with each other.

Troy’s first response to this news is to think that Cory would never have a chance to succeed in his endeavors.

(35) Even if Troy’s personal misgivings about his baseball career are echoed, he expresses greater concern for Cory’s future in this statement.

When his own kid is presented with an opportunity that is considerably greater to Troy’s, Troy rejects it out of fear of being excluded and rejected by people in positions of authority, which has been a long-standing worry of his.

“Why don’t you just let the youngster go ahead and play football, Troy?” she inquires.

Basically, he’s aiming to be like you in terms of athletics” (39).

Having Cory become a carbon copy of Troy is exactly what Troy is trying to avoid happening.

His presence in my life is unacceptable to me, and I want him to go as soon as possible.

“Not after what they did to me in athletics,” says the author (39).

Troy views himself as a protector of his kid, preventing him from experiencing the same disappointments.

Wilson left it unclear why Troy waited until such a late stage in Cory’s life to intervene and prevent him from participating in sports.

Eventually, this conflict between Cory and Troy results in Cory being unable to reside in the same house as his father any more.

Troy begins to use baseball images to manage his family and to oppose white society, which he finds offensive.

“A baseball bat lies against a tree,” says the author.

The soil of the yard serves as a battleground on which he may engage in combat with whoever he chooses, exactly as he did when participating in the real game.

“You’re born with two strikes against you before you ever step up to the plate,” he tells Rose about his life philosophy.

Defiant Troy is seen here as a continual warrior in the batter’s box of life, struggling to make a good livelihood in a world that will always be hostile to him.

“Just because you didn’t have a chance!” he exclaims.

Cory’s reaction, which is tinged with idealistic optimism about the promise of the American dream, symbolizes the generational tension that exists between his father and son.

“I’m going to tell you exactly what your mistake was,” he says.

That’s the first strike.

You swung and missed the mark.

“Make sure you don’t strike out!” (58) Baseball, in Troy’s opinion, is intrinsically tied with heartache and disappointment.

Cory is on the verge of a “strike out,” or more accurately, of getting tossed out of the house, and Troy is increasingly incorporating baseball imagery into his dire warnings.

Troy suffers a significant amount as a result of this fight.

Troy seeks to excuse his conduct to Rose after she discovers his affair with her.

His reasoning is as follows: “I stood on first base for eighteen years and I thought.well, darn it.go for it!” (70) Troy’s character is shown through this explanation, which demonstrates how dedicated he has been throughout his life to being responsible.

Seeing Troy’s sense of accomplishment allows the reader to understand how vital it is for him to distinguish himself and to challenge the monotony of his life.

The association between baseball and death helps him to believe that he is unbeatable and on the verge of immortality.

I’m through wrassling with him.

It’s nothing more than a fastball on the outside corner when it comes to death” (10).

His harsh remarks about Hank Aaron and Jackie Robinson in Act I are similar to this address in that they both reveal that Troy intends to demonstrate that he is more powerful than his opponents.

Troy eventually understands that his “battles” with death have resulted in his being declared the loser in the end.

Come on, you can do better than that!

Come on, you can do better than that!

Come on, you can do better than that!

Still, Troy feels forced to face death with the same ferocity and bravery with which he would have faced Satchel Paige, baseball’s great black pitcher, in his dying moments.

A powerful picture of Troy as a warrior emerges from Troy’s final speech, which portrays the protagonist as someone who stayed determined and stubborn to the very end.

I’m going to request that St.

“You need to be ready right now” (100).

It doesn’t matter how many wrongs Troy did in his life; he will be remembered for his courage in the face of hardship and injustice at the end.

Fences, by August Wilson, is remarkable in that it takes a historically white pastime, baseball, and utilizes it to depict the African-American experience in the United States.

At the same time, this approach runs counter to the popular image of a wholesome American dream in which everyone is happy.

It is alternatively suggested by the writer that both baseball and the United States of America must come to terms with the growing importance of people like Troy Maxson, who are proud and rebellious African-American warriors who are just as deserving of the American Dream as their white counterparts.

Fences & the Baseball Metaphor

“That’s the first strike. As you can see, you’re now in the batter’s box. You swung and missed the mark. That’s the first strike. “Make sure you don’t strike out!” As a cultural idiom, the baseball metaphor, as well as the entire notion of ‘three strikes and you’re out,’ has stood the test of time. FENCES is Denzel Washington’s latest film, his first in nine years and an adaptation of a Pulitzer Prize-winning August Wilson play (Washington also intends to executive produce and direct the remaining nine plays in the author’s ten-play Pittsburgh Cycle), in which that metaphor is used as a shallow, subjective assessment of a simple life.

  1. In addition to drinking directly from the bottle and flooding every conversation with an outpouring of his own words, he is arrogant and condescending.
  2. He has plans and talks about them, but he never follows through on them.
  3. When Troy succeeds in getting himself promoted to driver of a trash truck rather than a lifter of garbage cans, it is considered at the very least a tiny racial success in this cold, rejecting world of the 1950s.
  4. Rose is his wife, and as such, she serves as a basic source of support for him, constantly present in the background.
  5. As soon as he approached me with it, I told him what I had told him.
  6. He should go and become trained in auto repair or some other field where he can earn a life,” says the author.
  7. With his treatment of his wife and the exercise of control over his kid, he builds an other reality that is dependent on his framed grasp of baseball.
  8. When Rose falls out of line, merely by declaring that Troy isn’t ideal, he grabs her by the shoulders and drags her to the side of the road, where he admits to her that he’s pregnant another woman.
  9. Strike number two.
  10. His inebriated father sits on the porch steps, ruminating about his life, and once again thinks that it is his right to take it out on his little kid.

While it’s clear that Cory has struck out three times, and while the situation culminates with the youngster walking away from home, completely estranged from his father and filled with nothing but hatred and disgust, the ever-talkative, verbose Troy never expresses his displeasure with Cory’s performance.

  1. What particularly stands out in the more broad application of this metaphor is a dialogue between Cory and Troy’s oldest son, Lyons, in the closing scene, which takes place just before their father’s burial is held.
  2. ” That was something Papa used to say.
  3. After striking out three times in a row, I watched as he smashed the ball far into the stands on his next at-bat.
  4. Then there’s the rest of the batting order to contend with, and you’ll always have another chance to strike out.

When Cory was struck out, Troy walked up to the bat once more. In reality, it was only a few more steps into a cycle that would continue to repeat itself in eternity, rather than the end or the beginning of anything. There would always be another opportunity to take the field.

Baseball Motif in Fences Example

In Fences, August Wilson employs the baseball motif to first create Troy’s character, and then he uses it to refer to important ideas, relationships between characters, and conflicts that arise during the course of the play. Once the narrative has progressed further, Wilson uses the motif contained inside Troy’s statement to refer to important subjects, such as the reoccurring theme of death, which becomes more prominent. For the second time, Troy employs baseball analogies over the course of the play to describe his interactions with other characters; for example, he compares the relationship he has with Rose to a basic baseball game.

  1. The only way Troy could live with his broken dream after being forced out of the major leagues was to compare baseball with his everyday life as if he were still actively participating in the sport.
  2. Troy compares death to a simple pitch in this paragraph, which demonstrates to the listener that Troy thinks himself to be an indestructible man when looking into the eyes of his own doom.
  3. In addition, the play concludes with a metaphor that is nearly literally taken to its logical conclusion.
  4. The theme of baseball was present throughout the play, beginning with Troy’s character growth and culminating in his death at the end of the play.
  5. Troy revealed that he has been trapped at first base in the same dull spot since he married his wife, but when Alberta came along, he “started to thinking that iftried.might just be able to steal second” (67).
  6. Despite the fact that the text indicates that Troy is ready to move on, it also demonstrates that he is caught in the past due to the fact that he is unable to put his baseball past behind him.
  7. Cory also reveals that he had to quit his work in order to be able to participate in the game.
  8. “You swung and you missed,” Troy said in response to his own argument.
  9. “Make sure you don’t strike out!” (56).
  10. In the continuance of the play, Troy calls Cory’s second strike after they have their first altercation, and Cory receives his third strike not long after.
  11. In conclusion, Troy’s hopes of becoming a professional baseball player were dashed, yet he nevertheless managed to carry on with his life as if nothing had happened.

He returned to his childhood through repeated analogies about baseball, and he connected many parts of his life to his illustrious professional baseball career.

Baseball as a Plot and a Metaphor: The play, Fences by.

Baseball is the national pastime of the United States. In fact, baseball dates back to the Civil War era, in 1839, when it was first played. August Wilson recognized the potential for this sport to deliver a message and used it into his play Fences to convey that message. His collection of 10 plays depicts the tribulations of African Americans during the twentieth century, with one piece representing each decade (Wilson 961). Fences, in particular, is a depiction of the nineteen fifty’s (Wilson 961).

  • August Wilson’s drama “Fences” is about the existence of an African-American family who is persecuted by the authorities.
  • additional stuff to be displayed.
  • This indicates that he is not afraid of death, but rather that he is prepared and anxious for it to arrive so that he might strike it down.
  • This is an example of a metaphor (Wilson 995).
  • He was essentially warning him that he had made a huge mistake and that he had best not make any more.
  • In which he claims that “you are born with two strikes against you before you go up to the plate.
  • I made a bunt.
  • I was in good hands.
  • “In order to get me back home” (Wilson 1001).
  • “And then I saw that girl.
  • He then met someone else who made him feel like everything was possible, and he began to believe that he might be able to escape away.
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Importance of symbolism in fences – Baker 1 Karley Baker Eller Comp 2 11:30 T/Th 12 February 2018

Ballpark baseball is the national pastime of the United States of America (USA). During the Civil War era, in 1839, the sport of baseball first appeared on the scene. August Wilson recognized the potential for this sport to communicate a message and included it into his play Fences to make a political statement. His collection of 10 plays depicts the tribulations of African Americans during the twentieth century, with one piece for each decade (Wilson 961). Particularly evocative of the decade of the 1950s is Fences (Wilson 961).

  • It is the life of an African-American family who is persecuted that is shown in August Wilson’s drama “Fences.” Former professional baseball player Troy Maxson, the family’s father, was a.
  • A baseball metaphor is utilized pretty early in the film, when Troy is telling Bono, his buddy, about how he sees death as “a fastball to the outer corner of the outfield” (Wilson 970).
  • This is followed by an example of a metaphor when Troy gets into an argument with his son Cory about Troy removing Cory from the football team and canceling his appointment with a recruiter (Wilson 995).
  • The implication was that he had made a serious error and should avoid making another.
  • “You’re born with two strikes against you before you ever step up to the plate.”, he continues.
  • I made a snorting motion with my arms.
  • Fortunately, I was in good health.
  • ‘I’m trying to go home’ (Wilson 1001).
  • After that, when I saw that woman.

“I began to thinking that if I worked hard enough, I might just be able to steal second,” I explained (Wilson 1001). In the meanwhile, he met someone else who inspired him to believe that everything was possible, and he began to believe that he may be able to escape.

Baseball Quotes In Fences – 910 Words

A baseball game is used as a metaphor in August Wilson’s novel Fences to illustrate many of the challenges that ordinary people face in modern society. When writing Fences, August Wilson developed several highly realistic characters to illustrate the lesson of life and love that the novel aims to convey. After all is said and done, the main character Troy Maxson says something that illustrates this. “Death is nothing more than that to me,” Troy explained. “An outside corner fastball” is thrown (10).

  • Troy appears to be obsessed with baseball, and it appears to be his entire existence.
  • One such instance can be found in the setting of this narrative.
  • additional stuff to be displayed.
  • “I’m thinking I might be able to steal second,” he remarked.
  • Troy utilizes baseball analogies to attempt to make himself more understandable to others.
  • Troy goes to baseball, which is the one thing he is familiar with.
  • Troy is attempting to relate the excitement of cheating to the thrill of swiping second base after being safe at first base while on the field.
  • Another baseball element that this narrative is based on is the concept of “three strikes and you’re out.” However, we observe three distinct instances of them fighting, with each argument being more damaging than the last.
  • By the end of this dispute, Troy has enraged Cory to the point where he rushes out of the yard in rage after being denied the opportunity to participate in the sport he enjoys due to the actions of his father.


Symbols The Garden: Throughout the play, Troy’s backyard served as a haven of solace and calm for the Maxson family. He was also holding onto feelings that had been pent up inside him as a result of the conditions that had led to his escape into the yard. Troy would’ve been able to transcend those terrible recollections with time, but he was just too impatient. Troy’s daughter, Raynell, plants a garden in the backyard on the anniversary of her father’s death. She walked outside the next day to see whether anything had sprouted since she had planted it.

It’ll continue to expand ” (2.5.91).

In the wake of Troy’s death, Raynell’s garden serves as a fresh portal of possibility and progress for the characters.

Cory replies to Rose, “I’m sorry, but.” “Papa was like a shadow that followed you everywhere you went, no matter where you went.

The garden depicts Cory’s emergence from beneath Troy’s looming presence.

Baseball:Baseball has played a significant part in the construction of fences over the years.

He carried the burden with him for the rest of his life, even to the point of forbidding his kid from pursuing a career in athletics because of his feelings about it.

Troy, who has been battling death throughout the entire play, mocks death by stating, “I’m not going to die.” “It’s just you and me at this point.

I’ll be prepared for you ” (2.4.89).

After that, he simply collapsed ” (2.5.96).

In many ways, his death was a culmination of his lifelong struggle and fight to overcome hardship.

Troy and Cory fight about whether or not Cory should be allowed to pursue football as a professional career, with the bat as their weapon of choice.

You’re going to have to put it to use!” (2.4.88).

Troy was able to wield the bat more effectively than Cory since he had been through more than Cory.

Since he was frightened of being “caged in,” Troy has been putting off erecting the fence for several years.

The fence also serves as a symbol of the line that separates us from the Maxson family.

They’ll be on the opposite side of the fence, Troy says in response to this (2.4.89).

Troy causes Cory to leave their house forever by removing his stuff and putting them on the other side of the fence. Seth Kolloen is a writer who lives in New York City. “Seattle Representatives.” Web. 2 December 2012; The Sunbreak (no URL).

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